![]() ![]() And thoughts while walking: I must get a piece of equipment that won't describe, but will record, photograph these sounds. a kisS, someone's exclamation, laughter, a whisper, voices, the ringing of the station bell, the puffing of the locomotive…. There lingered in my ears the sighs and rumble of the departing train, someone's swearing. ![]() Three-fourths of the human race is stupefied by the opium of bourgeois film-dramas.Īnd one day in the spring of 1918. Structure seen this way for the first time. the kinok-editor, organizing the minutes of the life. kino-eye, challenging the human eye's visual representation of the world and offering its own "I see," andĢ. T0 decipher in a new way a world unknown to you.ġ. My path leads to the creation of a fresh perception of the world. The main and essential thing is: The sensory exploration of the world through film.įreed from the rule of sixteen-seventeen frames per second, free of the limits of time and space, I put together any given points in the universe, no matter where I've recorded them. Radical necessity, precision, and speed are the threeĬomponents of movement worth filming and screening. Of our own material, our meter and rhythm. ![]() Out into the open, into four-dimensions (three + time), in search WE are cleansing kinochestvo of foreign matter of music, literature, and theater we seek our own rhythm, one lifted from nowhereĮlse, and we find it in the movements of things. ![]()
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